but rather the time, she says, to apply remedies
not to issue complaints
Wednesday, December 29, 2010
Cover Letter Retail Sales No Experience
Boethius - de consolation philosophiae
but rather the time, she says, to apply remedies
not to issue complaints
but rather the time, she says, to apply remedies
not to issue complaints
Friday, December 24, 2010
Thursday, December 23, 2010
Nightmare Campus Free To Watch
Amel
A dream living the dream
A dream living the dream
dream of a man who collected his remains to a kiss
a man who would invade the soul
I like wearing a silk dress.
Che vive nell'esilio
e quando mi dissolvo
mi trattiene nel borgo dell'anima
senza abluzioni e senza sepoltura!
Psoriasis Palenoplanter
امال موسى Musa
dream of living his dream
diaspora dream of a man in the whole kiss
scattered in
Ilpsony silk
live exile
When Otboukr
keeps him in the Tower Spirit
without washing or bury
Thursday, December 9, 2010
Brown Wall Color And Black Vanity
exhibition of Arabic calligraphy workshop
In the eyes of Scheherazade
In the eyes of Scheherazade
words, pictures, music and calligraphy
to tell the Iraqis
Monday, December 6, 2010
How To Prevent Hinges From Rusting
Also Sprach Zarathustra
You must be ready to burn in your flame:
how can innovate without first having become ash ?
Can A Dog Get Herpes Simplex 1 From A Human
next reading ..
Irvin D. Yalom
Irvin D. Yalom
tears Nietzsche
It 's a day in October of 1882 and Josef Breuer, forty brilliant psychiatrist, medical staff in Vienna of artists and philosophers such as Brahms, Bruck and Brentano, is the Cafe Sorrento in the company of a young woman who does not know, but who had the gall to convene in the famous Venetian coffee for a "" matter of extreme urgency where it should be as much as "the future of philosophy German. "
The woman called Lou Salomé and is of unusual beauty, face powerful, strong chin, sculpted, bright blue eyes, full lips and sexy, silver-blond hair tied back in a bun that lazily leave the ears uncovered, and the long graceful neck. Although the pungent
temperature in the morning, took off the mantle of fur and looking directly in the eye with a firm voice told him to fear for the life of a dear friend, Friedrich Nietzsche, German philosopher, according to Richard Wagner , has "given the world a work without equal." Then, resting lightly on his gloved hand, he added that the philosopher is in the throes a deep prostration. A state which manifests itself with an impressive variety of symptoms: headache, partial blindness, nausea, insomnia, fever, anorexia, and that led him to take dangerous doses of morphine ...
Thus, through the voice of the muse of the fin de siècle Vienna, Josef Breuer, physician estimated jew, the future father of psychoanalysis, a man of irreproachable conduct, and yet also burdened by the bonds and the conventions of bourgeois life and marriage and deeply troubled by the beautiful Bertha, his patient for two years, learns of the extreme desperation of the man who will become his most famous patient. Breuer, in fact, submit the philosopher to his care, based on the belief that the healing of the body passes through the soul. And between him and Nietzsche, in the course of several sessions, we will establish a close dialogue and engaging during which Breuer will try in vain to get to the root of the dark evil of the philosopher and cause him to open his heart. Only at the end, will have the decisive idea: assume the role of the patient and confessing torments, pains and concerns of Nietzsche, will succeed in breaking the impenetrable isolation and provoke in him a release emotional catharsis.
Sunday, December 5, 2010
Free Vidoes Of Pinky And Cherokee
امال موسى Musa
مرآة القمر
at night
on the chest of the sea
and DNA from ancient
we both
in the mirror of the moon
plunged after
to sprout Sea
and Ahtrguena
and broken
mirror moon
Scattergories Online Games
Amel
Lo specchio della luna
Lo specchio della luna
Nella notte,
al largo, sul mare
antichi nascemmo
us
in the mirror of the moon.
Then we landed on the shore
we
burned and broke
the mirror of the moon.
Zebra Print Wedding Reception
the female water
She water
Amel Musa
a Tunisian poet, originally a Libyan
language intimate, simple sliding
the woman's freedom to express themselves without hesitation
Tuesday, November 30, 2010
Paediatric Advanced Life Support Exam
St. Nicholas
Vinicio Capossela
the rain became snow
and wet but not hurt
and comforts us like manna soft ..
Monday, November 29, 2010
Women Who Go Bottomless
An Arabic manuscript from Syria
The Book of Secrets
The Book of Secrets
Ibn Khalaf al-Muradi
in the Laurentian Library in Florence,
the only copy dated 1266
from an original of the eleventh century,
work Andalusian an engineer.
(thanks to Qatar, is financing the project of translation and dissemination)
Thursday, November 25, 2010
Wednesday, November 24, 2010
Pine Wood Car Space Ship
لن تتكلم لغتي
not speak my language
not speak my language
of Abdelfattah Kilito
Reports and paradoxes between languages. Wise.
The Moroccan writer and critic addresses the issue of bilingualism
linked to the transmission of knowledge
Tuesday, November 23, 2010
Wedding Reception Spanish
Da-Da-sein oder nicht sein ....
Brief History of the verb be
Brief History of the verb be
Andrea Moro
a weakening of being?
the verb to be is not at all ambiguous
and is not this disgrace to humanity ..
Cream For Ferret Sores
الخط العربي Arabic Calligraphy Writers in the city
My new laboratories
My new laboratories
- even for kids!
Monday, November 15, 2010
To Say To Someone Having A Baby
Inland, Brescia 04/12/2010
Awakening the Artist
Saturday, December 4, 2010 at 17:30 Inland from the area of \u200b\u200bpersonnel was inaugurated by David Dalla Venezia, entitled "The Awakening of the painter. Between art and kitsch. "
After the success of the international exhibition of figurative painting Kitsch Biennale di Venezia 2010, Inland hosts in their own space David Dalla Venezia, who was curator of the organization Norwegian World Wide Kitsch.
Kitsch as res ultato experience and reflection of the Norwegian painter Odd Nerdrum, emerge in the '90s as anachronistic movement of figuration that is linked directly to the great tradition of classical, Renaissance and Baroque art, and provides an alternative to modern and contemporary art.
David Dalla Venezia, as the title of this exhibition indicates, therefore proposed a set of works that illustrate his move on a watershed between compelling influences of modernity and postmodernity and the continuity of the origins of great painting, avoiding by the end of trial in itself, the novelty at all costs and impulsive act of contemporary art.
Painter refined taste, true to a rigorous style that echoes Renaissance Italic breaths, David Dalla Venezia, away from the fashions of the moment, the search resumed painting as "archetype", where the composition has a specific intention to represent the face of narrative ' existence, the drama, pathos and eros.
His characters reveal attitudes full of passions in silent pictures full of power that seem drawn from the frenzy of everyday life: a man in front of his library, a girl unbuttoning his shirt, a harlequin who split up from the bed his mistress, common objects floating in a primordial chaos.
Info:
alley Hinterland Bornata - Borgo Wuhrer 43 ed.13
25123 Brescia, Italy
+39 3407781096 +39 030 523 358
www.entroterra.it
info@entroterra.it
Awakening the Artist
Saturday, December 4, 2010 at 17:30 Inland from the area of \u200b\u200bpersonnel was inaugurated by David Dalla Venezia, entitled "The Awakening of the painter. Between art and kitsch. "
After the success of the international exhibition of figurative painting Kitsch Biennale di Venezia 2010, Inland hosts in their own space David Dalla Venezia, who was curator of the organization Norwegian World Wide Kitsch.
Kitsch as res ultato experience and reflection of the Norwegian painter Odd Nerdrum, emerge in the '90s as anachronistic movement of figuration that is linked directly to the great tradition of classical, Renaissance and Baroque art, and provides an alternative to modern and contemporary art.
David Dalla Venezia, as the title of this exhibition indicates, therefore proposed a set of works that illustrate his move on a watershed between compelling influences of modernity and postmodernity and the continuity of the origins of great painting, avoiding by the end of trial in itself, the novelty at all costs and impulsive act of contemporary art.
Painter refined taste, true to a rigorous style that echoes Renaissance Italic breaths, David Dalla Venezia, away from the fashions of the moment, the search resumed painting as "archetype", where the composition has a specific intention to represent the face of narrative ' existence, the drama, pathos and eros.
His characters reveal attitudes full of passions in silent pictures full of power that seem drawn from the frenzy of everyday life: a man in front of his library, a girl unbuttoning his shirt, a harlequin who split up from the bed his mistress, common objects floating in a primordial chaos.
Info:
alley Hinterland Bornata - Borgo Wuhrer 43 ed.13
25123 Brescia, Italy
+39 3407781096 +39 030 523 358
www.entroterra.it
info@entroterra.it
Sunday, November 14, 2010
Friday, October 15, 2010
Diaper Punishment Anorex
Ivan
Ivan, derives from the Hebrew Yohanan which can be translated to mean "gift of the Lord" (source wikipedia.it). When I saw the other night, perched on the curtain Ivan Marassi stadium while struggling as an obsession swirling smoke and threatening anyone who is within range of his pupil who was not Serbian (except ill Serbian goalkeeper Vladimir Stojkovic), I said to myself: "what kind of gifts does the odd gentleman." Yes, because I never had so much fun watching a game the national team. They had just passed 20 and 30 when, as ready as any average Italian male, I impoltronito front of the screen ready to enjoy yet another batch of Azzurri since escape, or make me boring or make me angry or make me suffer. Never fun but it is fun to watch a game, if I want fun I go to see the clowns (op. cit. 1). With a heart, then, the sacrificial lamb was ready to check the relentless suplizio behold Ivan.
Ivan is a big kid with a grown-up lays dell'ultranazionalismo, which I do not sconquiffera lot, and the protagonist, his cunning, alas, is inversely proportional to the physical strength, just think that he covered his face but did not hide the tattoos perhaps would not only be recognized by the mother on TV but now he must explain why it never comes back at home, yet managed to cheer up an evening whose ending already written, but seemed not only to me but to thousands and thousands of people in Italy.
the first to bless the gift of the Lord were the RAI commentators of the game that, just minutes from the kick-off, were lucubrate on how to make acceptable to the public television, sports content for a game that would never have passed the history. And so in the group led by Mazzocchi was a memorable evening, seemed to be telling a battle of World War I live. I'm excited screams echoed like, "here is the police", "enter the hydrant," "interview immediately Stankovic", "Mandate Amedeo Goria in the field" (the latter obviously fuck in the locker room) "here, make the sign of three to zero across the board" (evvabbè. ..) then, to prevent Rai's Mom took away the line (but never when ), Mazzocchi said that the game had been suspended but not finally concluded or, as the fantasies of the commentator, could start at any moment like this, and spends an hour after the official time of commencement, with the stage half-empty and the stands virtually surrounded by the Serbs only accelerated.
The event has also changed for all editors in Italy, and sports: I guess as if it were before my eyes the pager of the Official ultrascazzato that aim to eat a piece of pizza and a addocchiare porn, number three was making headlines, a victory for Italy, a sad one for a draw, a defeat for Italy with controversy, when suddenly the exchange imporvviso program, the editor who enters trefelato and shouts "change everything, there is a huge crazy trying to stop the game, tuttapagina prepare me with a huge title and 11 pages (eleven in-depth !!!)". Of the newspapers do not want to talk about sports then? Forced for months to tell the usual pantomime between Silvio & Co., were not found too much oxygen even with the story of Sarah Scazzi (after Cogne, Garlasco and Perugia with its models and insights from Like the Italian Vespa and is now addicted to the turbid medium) or the Chilean miners (too far), so they gl'occhi crumpled in front of their new front page and have worked hard all night to read up on an old story, the war in the Balkans, and this sudden rib or loose cannon came to Genoa, on the slave and fans in general on violence in the stadiums of the world. New
sap have received even the politicians who did not know what to say and what to say for months since they speak only of houses and short processes, Maroni about all that wasted no time in declaring that Ivan has done what he did it because he had not pocketed the credit card of a fan otherwise would have ended differently, it's not clear why but lately is a bit 'out of arguments about the validity of "his" found, then deeply thanked the Lord with a smile.
Finally the day after the Italians were able to fill their bad day, with or without a job, a new argument as to Silvio Bar & co. no longer know how to get slaughtered on Sarah Scazzi had already told all, because of political correctness, that Uncle was tortured and then killed, then the Chilean miners were not sure what to say, apart from the usual sketch: "Who knows how much money will with the interviews. "
Yeah I not only looked amused as he wiggled and Ivan created all this mess or Mess (op. cit. 2) the way Italy, not only I was happy to have found a viable alternative to the playing of the national qualification without leaving home and without even changing the channel!
Thanks Ivan, a gift of the Lord.
Citations: 1 Nick Horby "Fever newed"
2 Carlo Emilio Gadda "That Awful Mess on the Via Merulana"
Tuesday, October 5, 2010
Baby Footprint Cake Words
Financial
I was born on October 6 of thirty years ago. I was born as they are all designed, wet and screaming. I gave just a few headaches when my mom and doctors in middle of the night I decided to come into the world attempt, out of curiosity or fear, to come out with his face and obviously getting a bad result. So Mom and I forced doctors to perform a caesarean section to volleys, at night.
have passed thirty years since that day when I showed up with a bad card and it is said that around my age it's time to take stock. Budgets but I can not do. will be really boring because I them, treat yourself as if you were a public limited company or a limited company, assess the most and least and assigned a final rating then weep over if it turns out poorly. Will because you always think in the past (and possibly hopefully in the future) forgetting to live in the present, that this is the only way that we are given. Maybe I'm still a bit 'immature condition, which I imagine and hope we can bring to the grave without too much difficulty. What will be, as he sang Jose Feliciano , but I can not and, between ourselves, do not even try. But I discovered that my shortcoming is soon covered by punching each other to take stock of my life for me. More that just is not enough, they want to know that rad 'Others, face, those who have to play longer. What people irritating (and useless for others). Where do you work, what you do, that took the vote to maturity, and at graduation if you have one (I do not for example), what car you drive, the clothing brand, the bank account, etc etc etc, all mixed et voila, the opinion is expressed and well packaged, ready to shoot to the four winds by many lung-wasting too much air. All fruit of this company with the fixed meritocracy and the races had not even the Olympics every day. Here
so that the day of my birthday one day becomes deadly when the paranoia of being surrounded by people that I stare trying to figure out if I succeeded or failed, if completed or not, if I put my head straight or not, becomes disturbing.
In any case I can not answer certain questions, even if that day I decided to be born I did conventionally maybe I could give better answers, but I did not and that's it.
wishes to me and fuck to budget. 
I was born on October 6 of thirty years ago. I was born as they are all designed, wet and screaming. I gave just a few headaches when my mom and doctors in middle of the night I decided to come into the world attempt, out of curiosity or fear, to come out with his face and obviously getting a bad result. So Mom and I forced doctors to perform a caesarean section to volleys, at night.
have passed thirty years since that day when I showed up with a bad card and it is said that around my age it's time to take stock. Budgets but I can not do. will be really boring because I them, treat yourself as if you were a public limited company or a limited company, assess the most and least and assigned a final rating then weep over if it turns out poorly. Will because you always think in the past (and possibly hopefully in the future) forgetting to live in the present, that this is the only way that we are given. Maybe I'm still a bit 'immature condition, which I imagine and hope we can bring to the grave without too much difficulty. What will be, as he sang Jose Feliciano , but I can not and, between ourselves, do not even try. But I discovered that my shortcoming is soon covered by punching each other to take stock of my life for me. More that just is not enough, they want to know that rad 'Others, face, those who have to play longer. What people irritating (and useless for others). Where do you work, what you do, that took the vote to maturity, and at graduation if you have one (I do not for example), what car you drive, the clothing brand, the bank account, etc etc etc, all mixed et voila, the opinion is expressed and well packaged, ready to shoot to the four winds by many lung-wasting too much air. All fruit of this company with the fixed meritocracy and the races had not even the Olympics every day. Here
so that the day of my birthday one day becomes deadly when the paranoia of being surrounded by people that I stare trying to figure out if I succeeded or failed, if completed or not, if I put my head straight or not, becomes disturbing.
In any case I can not answer certain questions, even if that day I decided to be born I did conventionally maybe I could give better answers, but I did not and that's it.
wishes to me and fuck to budget.
Wednesday, September 22, 2010
Why Are People Eyes Yellow
Mann Art Gallery 2010
"Choses d'Après Nature
Personal Exhibition by / Personal exposure to
David Dalla Venezia
Catalogue texts by / text catalog by of
Andrea Pagnes
Opening 26 August 2010 at 6:00 pm
Exhibition from 27 August to 30 September 2010
Opening hours 4:30 to 11:00 pm
Opening Thursday, August 26, 2010, 18:30
From August 27 to September 30, 2010 from 16:30 hours
to 23.00
MANNI ART GALLERY sas di Claudio Manni
97/AB Via Sandro Gallo, 30126 Venice Lido - The
tel. +39 335 8035840, email claudio-manni@virgilio.it
"Seeing That I can find no subject Specially useful or pleasing, since the men who haves as before me have taken for their own every useful or necessary theme— I must do like one who, being poor, comes last to the fair, and can find no other way of providing himself than by taking all the things already seen by other buyers, and not taken but refused by reason of their lesser value. I, then, will load my humble pack with this despised and rejected merchandise, the refuse of so many buyers; and will go about to distribute it, not indeed in great cities, but in the poorer towns, taking such a price as the wares I offer may be worth.”
"Choses d'Après Nature
Personal Exhibition by / Personal exposure to
David Dalla Venezia
Catalogue texts by / text catalog by of
Andrea Pagnes
Opening 26 August 2010 at 6:00 pm
Exhibition from 27 August to 30 September 2010
Opening hours 4:30 to 11:00 pm
Opening Thursday, August 26, 2010, 18:30
From August 27 to September 30, 2010 from 16:30 hours
to 23.00
MANNI ART GALLERY sas di Claudio Manni
97/AB Via Sandro Gallo, 30126 Venice Lido - The
tel. +39 335 8035840, email claudio-manni@virgilio.it
"Seeing That I can find no subject Specially useful or pleasing, since the men who haves as before me have taken for their own every useful or necessary theme— I must do like one who, being poor, comes last to the fair, and can find no other way of providing himself than by taking all the things already seen by other buyers, and not taken but refused by reason of their lesser value. I, then, will load my humble pack with this despised and rejected merchandise, the refuse of so many buyers; and will go about to distribute it, not indeed in great cities, but in the poorer towns, taking such a price as the wares I offer may be worth.”
Leonardo da Vinci
The Manni Art Gallery opens its exhibition venue in Venice Lido, Via Sandro Gallo 97/A-B, August 26 at 6.30 pm, dedicating a personal show titled “Choses d’après nature” to master painter David Dalla Venezia. Born in 1965 in Cannes, France, David Dalla Venezia has developed a unique pictorial language technically and poetically, where the study and deepening of the figure represent the expressive backbone and communicative code key. Moving between tradition and modernity, there are two opposing and more specific cultural references from which David Dalla Venezia’s painting was inspired by, and from where they have emancipated: the first is the so-called Lowbrow or Pop Surrealism, a popular movement, of lower level, conceived in the late seventies underground environments of the West Coast (to which certain works of David must be brought back, such as the illustrations for album covers of Avion Travel and 12 paintings, made on the palisades of Venice in duet with Hiroshi Daikoku between 1987 and 1989). The second, highest in profile, draws its archetypes from classical mythology, the subsequent psychoanalysis investigations of Freud and Jung, and the philosophical speculations of Schopenhauer, Nietszche even Severino. To investigate the unconscious and then emerge through the pictorial representation with some possible answers, at the same time offering a vision of things and the world where the dream is entangled with reality, and fiction is repeated, make David Dalla Venezia’s painting to operate on two doubled levels: aesthetic-narrative and philosophical-metaphysical. The spectacular facility, the multiplication of characters which seem always (apparently) equal to themselves, the symbols themselves that act as agents, using the "proper life" of the object depicted, the continuous interweaving of quotations, iconographic motifs of classical, baroque and figurative modern in a timeless space constantly evolving, appear today so balanced each other (because the result of hard work and complex) to make this specific type of painting a unique but recognizable event, certainly not episodic. In his paintings, dialogue and confrontation that arouse from conflict and serene acceptance, thereof swinging between past and modernity, conformism and self-assertion, recall partly the dogmatic imperatives of Kitch (the exceptional movement of international figurative painting theorized by Norwegian master Odd Nedrum), which Biennale exhibition will take place this year at Venice in Palazzo Cini at San Vio, from September 17, thanks David Dalla Venezia curatorialships: rejecting irony, always relate the old masters «not because old but because masters», shun originality by opposing it the intensity of the subject. From this, one can deduce that the artist's works are a dynamic compendium of heterogeneous suggestions; in fact what is striking at first glance it is a strength that is not just about structure, but rather gives the log of colours and the precise formal wording, whatever it is, the supporting function, as was for Titian, Dali, Magritte, De Chirico, crucial figures to the artistic education of David Dalla Venezia.
"Seeing I did not seize power utility or a matter of great pleasure, because them men, innanti born to me, have taken for them all the useful and necessary topics, such as the one who will, because of poverty, comes last to the fair, and not being able to provide, on the other, takes all things already seen by others and not accepted, but refused because of their valetitudine little. That I despised and rejected merchandise, the remaining de 'many buyers, I will soma over my weak, and with that, not for the big city, but poor by distributing villas go, and take up this award, which is worth it to me on. "
Leonardo da Vinci
The Mann Art Gallery opens its exhibition venue in Venice Lido, Via Sandro Gallo 97/AB, August 26 at 18.30, dedicating a solo exhibition entitled "Choses d'Après Nature" in David Dalla Venezia.
Born in 1965 in Cannes, France, David Dalla Venezia has developed - technically and poetically - a unique pictorial language, moving between tradition and modernity, where the study and the figure represents the expressive and communicative code key fundamentals.
Since its inception, and are two opposing cultural references from which the painting was inspired by David Dalla Venezia and emancipation: the first is the Lowbrow and Pop Surrealism, popular movement, lower level, built in the late seventies West Coast underground scene of the U.S. (to which certain actions must be brought back to David as illustrations for album covers of Avion Travel and 12 paintings, made on the palisades of Venice "to duet with Hiroshi Daikoku between 1987 and 1989. The second higher that draws its archetypes from classical mythology, by further elaboration of psychoanalytic Freud and Jung, and speculations Schopenhauer, Nietzsche, even Severino. Investigation of the unconscious, and then emerge through the pictorial representation with some possible answers, offering a view of things and the world where the dream is confused with reality and fiction is repeated, causes the paint to operate on David Dalla Venezia two levels: aesthetic and narrative on the one hand and philosophical and metaphysical other. The plant
spectacular, the multiplication of characters equal to themselves, the symbols that act as agents themselves using the "proper life" of the object depicted, the continuous interweaving of quotations, iconographic motifs of classical, baroque and culture Figurative modern in a timeless space and in progress, appear today so balanced each other (because the result of hard work and complex) to make this specific type of painting is a unique event, unique but recognizable, certainly ' no more episodic.
In the pictures of David Dalla Venezia, dialogue and debate that can be seen between conflict and peaceful acceptance of the same, between past and modernity, conformism and self-assertion, recall also the dogmatic imperatives in the Kitch (the exceptional movement figurative painting by Norwegian international theorized Odd Nedrum), which will take place this year Biennale in Venice at Palazzo Cini San Vio, from September 17, thanks to the curatorship of David Dalla Venezia: rejecting irony, always relate to the ancient masters, "not because they are old but because teachers' shun originality and contrast it with the intensity of subject.
From this one can deduce that the artist's works are a compendium of suggestions dynamically heterogeneous, in fact what is striking at first glance it is a solid firm that is not just about plant structure, but rather gives the log color and clarity of the formal wording, whatever it is, the supporting feature, as it was for Titian, Dali, Magritte, De Chirico, figures crucial to the artistic education of young David Dalla Venezia.
The Manni Art Gallery opens its exhibition venue in Venice Lido, Via Sandro Gallo 97/A-B, August 26 at 6.30 pm, dedicating a personal show titled “Choses d’après nature” to master painter David Dalla Venezia. Born in 1965 in Cannes, France, David Dalla Venezia has developed a unique pictorial language technically and poetically, where the study and deepening of the figure represent the expressive backbone and communicative code key. Moving between tradition and modernity, there are two opposing and more specific cultural references from which David Dalla Venezia’s painting was inspired by, and from where they have emancipated: the first is the so-called Lowbrow or Pop Surrealism, a popular movement, of lower level, conceived in the late seventies underground environments of the West Coast (to which certain works of David must be brought back, such as the illustrations for album covers of Avion Travel and 12 paintings, made on the palisades of Venice in duet with Hiroshi Daikoku between 1987 and 1989). The second, highest in profile, draws its archetypes from classical mythology, the subsequent psychoanalysis investigations of Freud and Jung, and the philosophical speculations of Schopenhauer, Nietszche even Severino. To investigate the unconscious and then emerge through the pictorial representation with some possible answers, at the same time offering a vision of things and the world where the dream is entangled with reality, and fiction is repeated, make David Dalla Venezia’s painting to operate on two doubled levels: aesthetic-narrative and philosophical-metaphysical. The spectacular facility, the multiplication of characters which seem always (apparently) equal to themselves, the symbols themselves that act as agents, using the "proper life" of the object depicted, the continuous interweaving of quotations, iconographic motifs of classical, baroque and figurative modern in a timeless space constantly evolving, appear today so balanced each other (because the result of hard work and complex) to make this specific type of painting a unique but recognizable event, certainly not episodic. In his paintings, dialogue and confrontation that arouse from conflict and serene acceptance, thereof swinging between past and modernity, conformism and self-assertion, recall partly the dogmatic imperatives of Kitch (the exceptional movement of international figurative painting theorized by Norwegian master Odd Nedrum), which Biennale exhibition will take place this year at Venice in Palazzo Cini at San Vio, from September 17, thanks David Dalla Venezia curatorialships: rejecting irony, always relate the old masters «not because old but because masters», shun originality by opposing it the intensity of the subject. From this, one can deduce that the artist's works are a dynamic compendium of heterogeneous suggestions; in fact what is striking at first glance it is a strength that is not just about structure, but rather gives the log of colours and the precise formal wording, whatever it is, the supporting function, as was for Titian, Dali, Magritte, De Chirico, crucial figures to the artistic education of David Dalla Venezia.
"Seeing I did not seize power utility or a matter of great pleasure, because them men, innanti born to me, have taken for them all the useful and necessary topics, such as the one who will, because of poverty, comes last to the fair, and not being able to provide, on the other, takes all things already seen by others and not accepted, but refused because of their valetitudine little. That I despised and rejected merchandise, the remaining de 'many buyers, I will soma over my weak, and with that, not for the big city, but poor by distributing villas go, and take up this award, which is worth it to me on. "
Leonardo da Vinci
The Mann Art Gallery opens its exhibition venue in Venice Lido, Via Sandro Gallo 97/AB, August 26 at 18.30, dedicating a solo exhibition entitled "Choses d'Après Nature" in David Dalla Venezia.
Born in 1965 in Cannes, France, David Dalla Venezia has developed - technically and poetically - a unique pictorial language, moving between tradition and modernity, where the study and the figure represents the expressive and communicative code key fundamentals.
Since its inception, and are two opposing cultural references from which the painting was inspired by David Dalla Venezia and emancipation: the first is the Lowbrow and Pop Surrealism, popular movement, lower level, built in the late seventies West Coast underground scene of the U.S. (to which certain actions must be brought back to David as illustrations for album covers of Avion Travel and 12 paintings, made on the palisades of Venice "to duet with Hiroshi Daikoku between 1987 and 1989. The second higher that draws its archetypes from classical mythology, by further elaboration of psychoanalytic Freud and Jung, and speculations Schopenhauer, Nietzsche, even Severino. Investigation of the unconscious, and then emerge through the pictorial representation with some possible answers, offering a view of things and the world where the dream is confused with reality and fiction is repeated, causes the paint to operate on David Dalla Venezia two levels: aesthetic and narrative on the one hand and philosophical and metaphysical other. The plant
spectacular, the multiplication of characters equal to themselves, the symbols that act as agents themselves using the "proper life" of the object depicted, the continuous interweaving of quotations, iconographic motifs of classical, baroque and culture Figurative modern in a timeless space and in progress, appear today so balanced each other (because the result of hard work and complex) to make this specific type of painting is a unique event, unique but recognizable, certainly ' no more episodic.
In the pictures of David Dalla Venezia, dialogue and debate that can be seen between conflict and peaceful acceptance of the same, between past and modernity, conformism and self-assertion, recall also the dogmatic imperatives in the Kitch (the exceptional movement figurative painting by Norwegian international theorized Odd Nedrum), which will take place this year Biennale in Venice at Palazzo Cini San Vio, from September 17, thanks to the curatorship of David Dalla Venezia: rejecting irony, always relate to the ancient masters, "not because they are old but because teachers' shun originality and contrast it with the intensity of subject.
From this one can deduce that the artist's works are a compendium of suggestions dynamically heterogeneous, in fact what is striking at first glance it is a solid firm that is not just about plant structure, but rather gives the log color and clarity of the formal wording, whatever it is, the supporting feature, as it was for Titian, Dali, Magritte, De Chirico, figures crucial to the artistic education of young David Dalla Venezia.
Cute Saying About Tanning
Kitsch Biennale 2010
World Wide Kitsch
is pleased to invite you to the
is pleased to invite You to the opening of the
KITSCH BIENNIAL 2010
Palazzo Cini at San Vio, Venice
Friday, September 17, 2010, 18:00
Friday, 17 September 2010, 6 pm
Exhibition from September 18 to October 15, 2010
Exhibition from 18 September to 15 October 2010
initiatives with the participation of
This Has Been exhibition staged with the participation of
Giorgio Cini Foundation
Sponsored by / Under the aegis of the City of Venice
/ Department of Cultural
Info: Kitsch Biennale 2010
information:
• Opening September 17, 2010 at 18.
• Exhibition from September 18 to October 15, 2010.
• Closed Tuesday, open all other days from 12 pm to 18
• Free admission
• Lift • 50 meters from the bus line 1 and 2
Academy • a few steps from the Gallerie dell'Accademia and the Peggy Guggenheim Collection •
color catalog published by Marsilio in Italian and English
Practical information:
• Opening on Friday 17 September 2010 at 6 pm
• Exhibition from 18 September to 15 October 2010
• Closed on Tuesdays, the open days from 12 to 18 Remaining
• Free entrance • Elevator • 50 meters from
public transport 1 and 2 in the Academy
• Nearby the Academy Galleries and the Peggy Guggenheim Collection •
Catalogue with color reproductions published by Marsilio in Inglese and italian versions 
World Wide Kitsch
is pleased to invite you to the
is pleased to invite You to the opening of the
KITSCH BIENNIAL 2010
Palazzo Cini at San Vio, Venice
Friday, September 17, 2010, 18:00
Friday, 17 September 2010, 6 pm
Exhibition from September 18 to October 15, 2010
Exhibition from 18 September to 15 October 2010
initiatives with the participation of
This Has Been exhibition staged with the participation of
Giorgio Cini Foundation
Sponsored by / Under the aegis of the City of Venice
/ Department of Cultural
Info: Kitsch Biennale 2010
information:
• Opening September 17, 2010 at 18.
• Exhibition from September 18 to October 15, 2010.
• Closed Tuesday, open all other days from 12 pm to 18
• Free admission
• Lift • 50 meters from the bus line 1 and 2
Academy • a few steps from the Gallerie dell'Accademia and the Peggy Guggenheim Collection •
color catalog published by Marsilio in Italian and English
Practical information:
• Opening on Friday 17 September 2010 at 6 pm
• Exhibition from 18 September to 15 October 2010
• Closed on Tuesdays, the open days from 12 to 18 Remaining
• Free entrance • Elevator • 50 meters from
public transport 1 and 2 in the Academy
• Nearby the Academy Galleries and the Peggy Guggenheim Collection •
Catalogue with color reproductions published by Marsilio in Inglese and italian versions
Saturday, April 10, 2010
No Police Report Insurance Claim
THE MEANING OF DEFEAT
The sense of defeat.
Soft is the wind that rocks the defeat,
c'altro not c'un sense of unfinished business.
could be better, this life,
create the dream of an infinite sense of well
instead give rise to solitary light
embrace of light and shadow, sun and shadow,
incest as unhealthy as necessary
to withstand our condition.
tortures me remorse since knowledge
that if this had not happened,
today's forests would be lost to the sea,
avoiding the storm fiery
you Knock down our houses.
No mercy is in fact the wind
when she sings the poem of death,
the end of time and exile,
that civilization has brought to the world.
The horror of a black species that is extinguished
is small compared to a dying planet.
We are like puppets vindictive,
and we turned to our creator,
what has always walked on, with love and hate,
sleepless walking on the belly.
Maybe one day you will ask,
what age could never be so foolish,
so stupid, obtuse and malignant
to affect subsequent ones.
Do not leave any trace
of love and kindness.
Perhaps some questions, you should not let me,
because today is no longer necessary.
the incomplete nagging pain in my ears,
not allowing me to hear.
The sense of defeat.
Soft is the wind that rocks the defeat,
c'altro not c'un sense of unfinished business.
could be better, this life,
create the dream of an infinite sense of well
instead give rise to solitary light
embrace of light and shadow, sun and shadow,
incest as unhealthy as necessary
to withstand our condition.
tortures me remorse since knowledge
that if this had not happened,
today's forests would be lost to the sea,
avoiding the storm fiery
you Knock down our houses.
No mercy is in fact the wind
when she sings the poem of death,
the end of time and exile,
that civilization has brought to the world.
The horror of a black species that is extinguished
is small compared to a dying planet.
We are like puppets vindictive,
and we turned to our creator,
what has always walked on, with love and hate,
sleepless walking on the belly.
Maybe one day you will ask,
what age could never be so foolish,
so stupid, obtuse and malignant
to affect subsequent ones.
Do not leave any trace
of love and kindness.
Perhaps some questions, you should not let me,
because today is no longer necessary.
the incomplete nagging pain in my ears,
not allowing me to hear.
Wednesday, March 24, 2010
Signs That A Scorpio Man Wants You
is shortly
missing little Berluskaiser said Banana seems to have counted the days, bait or lure with broken bones from the region, now is dealing with his departure from the scene in search a way that does not lead to his famous predecessor Hamamet like that so that you want to redeem in recent times. The prophecy of
long goodbye is coming true.
The Banana is a problem, especially for the right, because his other missteps earthquake could definitely a house of cards began to fall apart in mainfestazione of March 21 with a ballet figures, blatantly lie to the image memory Fantozziana (The Battleship Potemkin ... 18 COILS, in fact, only 75 minutes). But this house of cards is important because it has reported the foolishness of politics sinistroidea (a little 'pretend to tell the truth) and ruled that the Italian danger of communism in Italy does not exist, never existed and never will and that if you want to govern right now is definitely the best race car on which to compete for a seat in heaven. His allies
competitors, Bossi and Fini, know this and have started to prepare the field to take the lead and not let go for a few more years. I want to be honest, I was sure that Fini would not have had rivals, its slow and inexorable process of detachment from the Banana and his delusions media is taking him to sail in the calm waters of the placid neocentristibuonisti, where he wanted to surf but could not because the Popes consciousness too dirty. So by having dirty ally and pacts increasingly compromising populist with a force that is intolerant of matrix alloy, reinforced by the media campaign of fear promoted by the media clearly controlled (by whom? try to think about it). And here's a problem because Fini Boss (ol) i is not only a good surfer, is also an excellent preparation of material and felt that it could not extend, for obvious reasons, its customer base to immigrants, as is trying to Fini do in your toes but not too much, should grab the benevolence of good Christians annoying smell a bit 'too true of illegal immigrants and in fact had already paid a pastoral visit , with his faithful pastor of Bergamo, at its Bagnasco excellence the same as yesterday, coincidentally, two days before the vote, ruled that believers must vote right, no ifs or buts, under penalty of hell. In short, the former simpatiaperlecamicenere advantage has shrunk greatly, and with the momentum, with God's help, the time is likely to overtake the celounpòmenodurodiprima unexpected.
One thing is sure the nano is trapped and humiliated dall'Umbért see that gl'ha mumbled a wry mouth: "I have never asked me money," made me a bit 'of melancholy. Umbert inter alia, that has not lost the opportunity to wink (metaphorically, I do not know if he can do it right it is) giving to the church as the only merit of Silvius, in almost 10 years of government, to have saved Italy from gay marriage, they miss the H-bomb, and pedophilia (do not know why).
summary from voting this weekend will come certainly a date that will be the output stage of the nano and possibly even a winner, including Bossi and Fini, who will hand the legacy of a castle of lies that has ruled the country in which will replace a real politics without noticing that the Italians, this thing that should not be too difficult. For the rest
sfonderà the League, the PDL arretrerà slightly, perish the PD, the UDC will remain stable, the IDV will rise very positive note and will fit new formations born from the Internet. Let us remember that Mr. Obama, the first Black President of the United States was born from the network, there occurred, there has raised money and always there is maintaining the relationship with the constituency and what he is doing until it was unthinkable before his election. Maybe in a few years ....
missing little Berluskaiser said Banana seems to have counted the days, bait or lure with broken bones from the region, now is dealing with his departure from the scene in search a way that does not lead to his famous predecessor Hamamet like that so that you want to redeem in recent times. The prophecy of long goodbye is coming true.
The Banana is a problem, especially for the right, because his other missteps earthquake could definitely a house of cards began to fall apart in mainfestazione of March 21 with a ballet figures, blatantly lie to the image memory Fantozziana (The Battleship Potemkin ... 18 COILS, in fact, only 75 minutes). But this house of cards is important because it has reported the foolishness of politics sinistroidea (a little 'pretend to tell the truth) and ruled that the Italian danger of communism in Italy does not exist, never existed and never will and that if you want to govern right now is definitely the best race car on which to compete for a seat in heaven. His allies
competitors, Bossi and Fini, know this and have started to prepare the field to take the lead and not let go for a few more years. I want to be honest, I was sure that Fini would not have had rivals, its slow and inexorable process of detachment from the Banana and his delusions media is taking him to sail in the calm waters of the placid neocentristibuonisti, where he wanted to surf but could not because the Popes consciousness too dirty. So by having dirty ally and pacts increasingly compromising populist with a force that is intolerant of matrix alloy, reinforced by the media campaign of fear promoted by the media clearly controlled (by whom? try to think about it). And here's a problem because Fini Boss (ol) i is not only a good surfer, is also an excellent preparation of material and felt that it could not extend, for obvious reasons, its customer base to immigrants, as is trying to Fini do in your toes but not too much, should grab the benevolence of good Christians annoying smell a bit 'too true of illegal immigrants and in fact had already paid a pastoral visit , with his faithful pastor of Bergamo, at its Bagnasco excellence the same as yesterday, coincidentally, two days before the vote, ruled that believers must vote right, no ifs or buts, under penalty of hell. In short, the former simpatiaperlecamicenere advantage has shrunk greatly, and with the momentum, with God's help, the time is likely to overtake the celounpòmenodurodiprima unexpected.
One thing is sure the nano is trapped and humiliated dall'Umbért see that gl'ha mumbled a wry mouth: "I have never asked me money," made me a bit 'of melancholy. Umbert inter alia, that has not lost the opportunity to wink (metaphorically, I do not know if he can do it right it is) giving to the church as the only merit of Silvius, in almost 10 years of government, to have saved Italy from gay marriage, they miss the H-bomb, and pedophilia (do not know why).
summary from voting this weekend will come certainly a date that will be the output stage of the nano and possibly even a winner, including Bossi and Fini, who will hand the legacy of a castle of lies that has ruled the country in which will replace a real politics without noticing that the Italians, this thing that should not be too difficult. For the rest
sfonderà the League, the PDL arretrerà slightly, perish the PD, the UDC will remain stable, the IDV will rise very positive note and will fit new formations born from the Internet. Let us remember that Mr. Obama, the first Black President of the United States was born from the network, there occurred, there has raised money and always there is maintaining the relationship with the constituency and what he is doing until it was unthinkable before his election. Maybe in a few years ....
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